POST PRODUCTION

L'ORÉAL - RED

L'OREAL | RED

NICE SHOES

Retouching

When it comes to the beauty genre in advertising, directors and clients have constantly sought to raise the standards of quality. Many directors who performed double duty as photographers, such as Bruno Aveillan, preferred the results of print campaigns, and felt there was a gap between still and motion content. As Beauty Artist Aurélien Teurlai collaborated with Aveilian on L’Oreal “Red,” a cinematic fashion film cloaked in shades of red, Teurlai sought to meet the high standards of the famed director by looking to the techniques of the print world. 

Along the way, he found that trying to match the techniques of a still beauty artist wouldn’t be enough, that it was important to develop a technique that recognized the work done by the cinematographer to shape the film with light and color. 

 

"You have to respect the light of the DP, especially in high beauty production,” said Teurlai. “If you blur you lose everything. The methods I developed allow me to do the finest beauty retouch and respect the DOP’s art. It was very important when working with Bruno to pay attention to every frame. He expects to be able to pause at any moment and be able to print any frame as a deliverable for a magazine.”

CREATIVE AWARDS

Personal

PRINT
Personal
TRICIA JOYCE
Personal
ELEMENTS PRODUCTION
Personal
THE INDUSTRY MGMT
Personal
ALYSSA PIZER
Personal
CAROLE LAMBERT
Personal
BERNSTEIN & ANDRIULLI
Personal
THE INDUSTRY MGMT
Personal
QUADRIGA
Personal
JANICE MOSES REPRESENTS
Personal
ALYSSA PIZER
Personal
THE INDUSTRY MGMT
Personal
CLM
Personal
LOOKING GLASS FILMS
CREATIVE AWARDS

Still Life

PRINT
Still Life
INDUSTRIAL COLOR BRANDS
Still Life
CA1 CA2 CORNELIA ADAMS
Still Life
PAT BATES
Still Life
QUADRIGA
Still Life
PAT BATES
Still Life
CAROLE LAMBERT
Still Life
PAT BATES
Still Life
REDEYE REPRESENTS
Still Life
REDEYE REPRESENTS
Still Life
JANICE MOSES REPRESENTS
CREATIVE AWARDS

Special Project

PRINT
Special Project
ELEMENTS PRODUCTION
Special Project
TIM MITCHELL ARTIST REP
Special Project
DCC
Special Project
WALTER SCHUPFER MGMT
Special Project
CAROLE LAMBERT
Special Project
THE ART BOARD
CREATIVE AWARDS

Retouching

POST PRODUCTION
Retouching
ARS THANEA
Retouching
DIPPIN' SAUCE | thelab
Retouching
INDUSTRIAL COLOR BRANDS
Retouching
TIM MITCHELL ARTIST REP
Retouching
NICE SHOES
Retouching
INDUSTRIAL COLOR BRANDS
Retouching
ONE HUNDRED BERLIN
Retouching
ONE HUNDRED BERLIN
Retouching
SHADOWPLAY
Retouching
STUDIO PRIVATE
Retouching
STUDIO RM
CREATIVE AWARDS

CGI

POST PRODUCTION
CGI
DIPPIN' SAUCE | thelab
CGI
ONE HUNDRED BERLIN
CGI
SADDINGTON BAYNES
CGI
TAYLOR JAMES
CREATIVE AWARDS

Commercial

PRINT
Commercial
ELEMENTS PRODUCTION
Commercial
ILLUSTRATION LTD.
Commercial
ILLUSTRATION LTD.
Commercial
ALYSSA PIZER
Commercial
AGENCY RUSH
Commercial
SUNDAY AFTERNOON
Commercial
SUNDAY AFTERNOON
Commercial
CA1 CA2 CORNELIA ADAMS
Commercial
STREETERS
Commercial
ILLUSTRATION LTD.
Commercial
CA1 CA2 CORNELIA ADAMS
Commercial
REDEYE REPRESENTS